Captain Miller (2024) Movie Review

Captain Miller

Captain Miller Movie Review

Movie Name: Captain Miller
Starring: Dhanush, Shiva Rajkumar, Priyanka Arul Mohan, Sundeep Kishan, Nivedhithaa Sathish, Elango Kumaravel, Kaali Venkat, Bose Venkat
Director: Arun Matheswaran
Producers: Sendhil Thyagarajan, Arjun Thyagarajan
Music Director: G. V. Prakash Kumar
Cinematographer: Siddhartha Nuni
Editor: Nagooran Ramachandran
Release Date: 26 January 2024

Star entertainer Dhanush and chief Arun Matheswaran teamed up for Skipper Mill operator, the initial segment of a three-section activity experience film. At first delivered in Tamil during Sankranthi, the film has arrived at movie theaters today in Telugu. Look at our survey to know about the way things are.


Set in the pre-Freedom period, Agneeswara (Dhanush) has a place with a lower rank in a town. He just wants to be respected, so he joins the British Army. Notwithstanding, he laments battling his own kin and leaves the military in the wake of killing the General. Afterward, he joins a progressive gathering and battles the English Armed force, which removes the 600-year-old valuable symbol from his town. Is it what Captain Miller found? What compelled Agneeswara kill the English General? Who is Bhanumathi (Priyanka Arul Mohan), and how could she be associated with the story? What changed Agneeswara into Commander Mill operator? The film will unfurl the responses.

Also Focuses:

Once more dhanush, a beneficiary of the Public Honor, drenches himself in his personality, conveying a cleaned exhibition with viable close to home articulations, particularly in real life groupings.

Kannada star Shiva Rajkumar and Tollywood entertainer Sundeep Kishan sparkle in their separate jobs, displaying splendor regardless of the restricted screen time.

The all around created activity arrangements, especially during the span and peak, enrapture the crowd, and the music essentially adds to the general insight.

Less Focuses:

Chief Arun Matheswaran depends on a non-direct screenplay, portraying the story across six sections. There is potential for a more captivating and dynamic first half, despite the fact that this narrative structure is not confusing.

Certain characters, as Priyanka Arul Mohan and Jayaprakash, increase the value of the film. A botched an open door for Priyanka Mohan to grandstand her presentation in a couple of scenes is obvious.

The film keeps a serious tone all through, without the incorporation of different feelings like sentiment and satire, restricting its enticement for a committed crowd.

Telugu audiences might not connect with scenes related to the Tamil nativity. Likewise, the Telugu captions contain various syntactic and interpretation botches, which is surprising in a film of this scale.

Specialized Angles:

Arun Matheswaran, in his jobs as an essayist and chief, has an OK impression. The impact of the movie as a whole could be increased by having a compelling story and a first half that is more engaging.

Siddhartha Nuni’s competent cinematography and the outstanding musical score by GV Prakash Kumar make this film stand out. While the altering is for the most part good, managing a couple of superfluous scenes could further develop the review insight. The movie has good production values.


Overall, Captain Miller has its ups and downs. Dhanush’s honorable presentation, the first rate activity arrangements, and GV Prakash Kumar’s melodic ability are prominent up-sides. Be that as it may, the film is ruined by a sluggish paced first half, repetitive scenes, a reliably serious tone, and an absence of close to home profundity. Assuming you value serious-conditioned activity dramatizations, Chief Mill operator may worth consider; any other way, elective diversion choices might be more reasonable.

Telugu Review1